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	<pubDate>Fri, 04 Apr 2025 21:01:35 +0000</pubDate>
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		<title>Works</title>
				
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		<title>Words</title>
				
		<link>https://khrd.studio/Words</link>

		<pubDate>Sun, 02 Oct 2022 17:50:05 +0000</pubDate>

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I have questions about legibility and embodiment: how both color and the body are enmeshed, asked to hold more than their capacity. This position is shaped by Black studies and its search for forms that move before the sign can close around them. Similarly, a substrate is not a site for me to inscribe form onto, but rather a mouth to reach through, calling forth the unseen for as long as I can lose myself in it.

In 2021, I doulaed my grandfather into the afterlife. At his side, I listened for his final breath to join the silence of twilight. That stillness became my approach to painting: not representation, but attendance. My process is akin to incantation: jostling, pouring, scraping, wiping, and reaching for memories to surface the canvas, constrained by time and limited material means. Under pressure, gravity, and drip, stains form and unform structures, ebbing in and out of fixed shape. 
I paint to recall that which remains with me. Like the stickiness of honey in the pitch of my grandmother's voice. Or the groan of wooden floors my palms and feet once knew but cannot reach. These memories shape my relationship to color. Warm tones surface only as far as cooler washes permit. A likeness burgeons, then submerges under every layer poured over it. Like palms holding water, recognition glimmers and fails. What remains are fragments, unnamed and self-possessed, Being.



Kimberly R. Heard is a visual artist based in New Haven, Connecticut. Her work has been exhibited at the Institute of Contemporary Art San Diego, James Fuentes Gallery, Picture Theory Projects, Bread &#38;amp; Salt Gallery, as part of the Getty Foundation’s PST ART: Art &#38;amp; Science Collide, and included in the City of San Diego Civic Art Collection. She holds a BA from UC San Diego&#38;nbsp;and an MFA in Painting from the Yale School of Art, where she was awarded the 2026 Dean's Prize and the  Robert Schoelkopf Memorial Traveling Fellowship in 2025.
Email:khrdstudio@gmail.com
	
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Related ProjectsAs Symbol &#38;amp; Concept ︎︎︎
Dehiscence&#38;nbsp;︎︎︎

Press&#38;nbsp;Oceana Andries, "Review: Tender is the Night," Impulse Magazine, February 2026

Lara Xenia, "The Shimmering In-Between: A Conversation with Kimberly R. Heard," Lara Xenia, June 2025



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		<title>CV</title>
				
		<link>https://khrd.studio/CV-1</link>

		<pubDate>Sat, 04 Feb 2023 23:17:09 +0000</pubDate>

		<dc:creator>khrd.studio</dc:creator>

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		<description>
Upcoming Exhibitions
Field and Figure
October 10 - November 7, 2026
Eli Whitney Museum, Hamden, CT

Opening Weekend: Saturday, October 10
1 - 6 pm and Sunday, October 11th, 1 - 5 pm
Walk-through: Wednesday, October 14th, 5 - 6:30 pm

Panel Discussion: Wednesday, October 14th, 7 - 8 pm
Carter Studio, 915 Whitney Ave, Hamden, CT 06517



Selected Exhibitions
Somehow DesireAugust 14 - 28, 2026James Fuentes Gallery, New York, NY ︎︎︎
Somehow DesirePainting/Printmaking MFA Thesis&#38;nbsp; (Group 1)January 17 - 27, 2026Green Hall Gallery, New Haven, CTPublic reception: Friday, January 23rd from 6–8 PM

Tender is the Night
January 2026 - February 2026Picture Theory Projects, New York, NY&#38;nbsp;︎︎︎
Reviewed by Oceana Andries,&#38;nbsp;Impulse Magazine&#38;nbsp;︎︎︎
Time Again
September, 2025
Green Hall Gallery, New Haven, CT
The 11th Hour
May 202532 Edgewood Gallery, New Haven, CT
Embodied Pacific: Three Lives ExhibitionSeptember 2024 - December 2024
Getty PST ART,&#38;nbsp;Gallery QI, La Jolla, CA
The Last Group Show
November 2023 - December 2023
Bread &#38;amp; Salt Gallery, San Diego, CA
SD Practice
 July - September 2021
SDAI, San Diego, CA&#38;nbsp;

+/- An Exhibition on Negative Space&#38;nbsp;
September 2019Lux Art Institute, Encinitas, CA 

Public CollectionsCivic Art Collection 2021City of San Diego, San Diego, CAEducationMFA, Yale School of Art
2024 – 2026BA, University of California, San Diego 2017 – 2019
Associate of Digital Art / Studio Art / Humanities,&#38;nbsp;Grossmont College 2012 – 2017

Fellowships &#38;amp; Awards
Dean’s Prize
Yale School of Art, 2026
AICAD Post-Graduate Teaching Fellowship
Nominee, 2026

Robert Schoelkoph Traveling Fellowship

Yale School of Art,&#38;nbsp;2025

ContributionsWhitney Biennial 2022: Quiet As It's Kept Danielle DeanApril - Oct 2022Whitney Museum of American Art, New York, NY

Panels &#38;amp; SpeakingSomehow Desire:&#38;nbsp;Artist Talk
Yale School of Art Thesis Presentation Series 
Yale University Art Gallery, April 2026 
On Critique: with Anoka Faruqee, Associate Dean, Maria De Los Angeles, Sam Contis, Sandra Burns, Leslie Dick, Camille Gwise, Christopher Postlewaite, Cameron Patricia DowneyYale School of Art

Artist Lecture

Affect Theory, FA 2025
Yale School of Art
Guest Critic, Painting II SP 26University of New HavenVisiting Artist, Lecture SP 26Eastern Connecticut State University
Visiting Artist, Lecture SP 26University of California, San Diego
Visiting Artist, Lecture FA 2025Colorado State University

Employment / Workshops
Visiting Artist, Su 26
Painting Basics
YPEI, MacDougal Correctional Facility

Teaching Asst., SP 2026Basic Drawing
Yale School of ArtTeaching Asst., FA 2025Basic Drawing
Yale School of Art
Color Theory Workshop, FA 2025
Color Practice
Yale School of ArtInterdepartmental Office Asst., SP 2025Office of the Dean
Yale School of Art

Elected RolesVisiting Artist Student Representative2025 - 2026

Painting Dept. Student Representative
2025 - 2026

















Related ProjectsAs Symbol &#38;amp; Concept ︎︎︎
Dehiscence&#38;nbsp;︎︎︎

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