Dehiscence
Informed by Rizvana Bradley’s critique of phenomenological universality, Dehiscence examines openings that persist without resolving into coherence or stable form.
It asks how subjectivity occupies perceptual thresholds where visibility does not ensure recognition, and where material presence resists the trap of legible representation.
While material interventions open surfaces into depth, creating conduits between interior and exterior, presence and absence, amorphous color fields dissipate and accrue, functioning both as spatial devices and expressive gestures. What emerges is not simply representation but an encounter, where meaning precipitates through opacity, spatial relation, and embodied experience while remaining unresolved.
About the Artist ︎︎︎
It asks how subjectivity occupies perceptual thresholds where visibility does not ensure recognition, and where material presence resists the trap of legible representation.
While material interventions open surfaces into depth, creating conduits between interior and exterior, presence and absence, amorphous color fields dissipate and accrue, functioning both as spatial devices and expressive gestures. What emerges is not simply representation but an encounter, where meaning precipitates through opacity, spatial relation, and embodied experience while remaining unresolved.
About the Artist ︎︎︎